I first learned about Jacqueline van der Kloet, a Dutch designer celebrated for her innovative use of bulbs, two years ago when planning a garden tour to the Netherlands and Belgium. Last month, when that tour finally came to fruition, it was Jacqueline’s Tea Garden in Weesp, a small town near Amsterdam, which proved to be the great favorite of nearly everyone.
The garden, which features naturalistic compositions of bulbs and other perennials, is planted among a framework of trees and shrubs. Harmonizing these herbaceous plants can be tricky, however, so the designer uses the space to experiment with combinations of color, texture, habit, and bloom time, perfecting the balance, rhythm, and “painterly effect” she is known for.
Arriving in Weesp, we were awed by the beauty and charm of surrounding grasslands, rivers, and the Amsterdam-Rhine Canal, as well as the town’s historic center. Handsome buildings dating from the seventeenth and eighteenth century, three classic windmills, and pristine waterways and roads make this area a lovely stop for tourists.
Just steps from the historic district and tucked behind a fortified bastion built in 1674, the Tea Garden was found at the end of a short lane. There, cradled between an old barn remodeled into offices and a private residence, both painted a striking blue-green, the garden sparkled in the morning light.
Evergreen hedges and winding pathways establish a circular flow around the garden. Some of the woody plants grow in their natural form, but many are clipped. A large doublefile viburnum is trained into a small tree and many shrubs are shaped into fanciful forms, such as spirals, domes, and animals, including a peacock and teddy bear.
What truly distinguishes the garden, however, is the blend of perennials intertwined in loose, Impressionistic swaths, in a way that appears as if the flowers have sprung up on their own.
Among the tulips, alliums, columbine, geums, poppies, lupins, and lacy umbels, the daffodils and hellebores of yesterday and the lilies and coneflowers of tomorrow were evident. Foliage plants, such as hostas, ferns, and ornamental grasses, added layers of texture, while the smooth curves of pathways were intentionally (and charmingly) disrupted by the undulating forms of clipped box and spreading perennials.
The color scheme was restricted, but not static. Cool blue and purple flowed throughout the garden, accented with soft pink and salmon in some areas and bold chartreuse and orange in others. One of the most striking combinations featured blue cranesbill geraniums punctuated with golden Alexander (Smyrnium perfoliatum) and white, goblet-shaped tulips.
Interestingly, as a teenager, Jacqueline hoped to attend art school, but was dissuaded by parents who worried about her financial security. By chance, she met an old school friend training in landscape architecture and opted for a career in design, studying in Boskoop and Brussels and then designing public spaces with a firm before opening her own business with two colleagues in the 1980s and focusing on residential design.
We saw more of Jacqueline’s work at Keukenhof Gardens, possibly the world’s most overwhelming spring landscape with more than seven million tulips, daffodils, and other bulbs over 32 hectares. In the United States, she has designed gardens for the New York Botanical Gardens and the Colorblends House and Spring Garden in Bridgeport, Connecticut, and worked in conjunction with Piet Ouldolf on various projects, including Battery Park in New York and the Lurie Garden in Chicago.
For more inspiration and information, take the opportunity to visit Jacqueline’s website found here.